I wanted to make another film, a sequel to Stalker.Something else is important here: that he changes, he doesn't believe anymore that people could go to this happiness, towards the happiness of self-transformation, an inner change. And he begins to change them by force; he begins to force and kidnap them to the Zone by means of some swindles — in order to make their lives better. He turns into a fascist. And here we have how an ideal can — for purely ideological reasons — turn into its negation; when the goal already justifies the means man changes. He leads three men to the Zone by force — this is what I wanted to show in the second film — and he does not shy away even from bloodshed in order to accomplish his goal. This is already the idea of the Grand Inquisitor, those who take on themselves sin in the name of, so to speak, Salvation. This is what Dostoievsky had been writing about all the time.
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